It's basically the exact same shot as the bottom one, which we posted yesterday on the official blog, but with the cel shading turned on, a deep purple ambient light, and a strong blue directional light. 100% Moviestorm, no post-processing, no shoppery, nothing. And you should see her move...
It's one of the things I really like about using Moviestorm, that you can shoot a scene, and then go back and completely change the look and the atmosphere with just a few button presses.
"The third picture, the one saturated in red, is beyond a doubt the most gorgeous thing I've seen MovieStorm produce."